MoMA Acknowledges The Displayers

Recently a friend noted to us, The Displayers were thanked for our participation on the Pipoltti Rist Exhibition page of the MoMA’s website.

The Displayers participation of the Pipilotti Rist Exhibition at the MoMA included creating computer shaped and hand carved / formed 15′ diameter wall enclosures to house the exhibits electronics and projection systems.  Additionally the exhibit was to be ‘seen through the eye of the artist’ and shapes upon the floor and carpet added to the 40′ diameter round blue couch that was to be the iris of the artists eye.  A video of the projects installation can be seen by clicking – Video – the MoMA’s Pipilotti Rist Installation

More – Behind the scenes with Pipilotti Rist.

Our Work @ The Armory Show 2013

 The Displayers is proud to have created the exhibits for:


Andy Warhol at Gagosian (Booth #903)



The Armory Show is at Pier 94, 12th Avenue at 55th Street, through Sunday March 10th.  For more information, visit:


We look forward to hearing from you and discussing how we can bring your projects to life.  Enjoy the Show!


Other art projects The Displayers has created can be found at our:


Gagosian booth - Warhol installation - The Armory Show  2013
Liz Magic Laser - The Armory Show 2013 - catalog cover revised


Armory Show – March 7

The Displayers have been recommended by MMPI (Merchandise Mart Properties) to Gagosian Gallery and Various Small Fires and Liz Magic Laser to develop exhibits for The 2013 Armory Show.  In past years The Displayers work at The Armory Show have included Julian Opie’s Automobiles that graced the entrance of the show that can be seen in the Artist Edition section of our website.

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The Armory Show, a leading international contemporary and modern art fair and one of the most important annual art events in New York, takes place every March on Piers 92 & 94 in central Manhattan. The Armory Show is devoted to showcasing the most important artworks of the 20th and 21st centuries. In its fifteen years the fair has become an international institution, combining a selection of the world’s leading galleries with an exceptional program of arts events and exhibitions throughout New York during the celebrated Armory Arts Week.


Dates and times:

Pier 92 & 94 – Twelfth Avenue at 55th Street New York City

The Armory Show 2013 Opening Day takes place Wednesday, March 6th for invited guests.

Public Hours:

Thursday, March 7th – Saturday, March 9th, 12pm to 7 pm
Sunday, March 10th, 12pm to 7 pm



Piers 92 & 94 are located on Manhattan’s west side on the Hudson River (Twelfth Avenue) at 55th Street in the Passenger Ship Terminal complex. The piers are easily accessible by public transportation, taxi, and private vehicle. The nearest subway stop is four cross-town blocks east at 50th Street and Eighth Avenue.

Shuttle Bus Service:

Shuttles are available between The Armory Show on Piers 92 & 94 and VOLTA NY on 34th Street near Fifth Avenue.

Mass Transit:

Piers 92 & 94 can be reached by public transportation via the Eighth Avenue subway, E or C trains to 50th Street, then via M50 bus line. The M50 bus runs west on 49th Street (to the pier) and east on 50th Street (from the pier) connecting at Eighth Avenue (E or C subway) and at Seventh Avenue (1 or 9 subway). Also, bus lines M16 and M42 provide service to 42nd Street and Twelfth Avenue. For subway and bus information and schedules, call (718) 330-1234

By Car:

From the Lincoln Tunnel, take 42nd Street west to Twelfth Avenue. Continue north on Twelfth Avenue to Piers 92 & 94 (at the Passenger Ship Terminal). From the Queens-Midtown Tunnel, go west via 34th Street to Twelfth Avenue. Continue north to the piers (at the Passenger Ship Terminal). Access to the piers for private cars is available via 55th Street and Twelfth Avenue. All vehicles should follow signs for the Passenger Ship Terminal parking.



History of The Armory Show:

The Armory Show, housed in Piers 92 and 94 along the Hudson River on Manhattan’s west side, is the largest art fair in New York and one of the principal annual art events in the international art market calendar. Visited by tens of thousands of people each March, the Armory has for almost two decades been the showpiece for some of the world’s most important modern and contemporary art galleries. Canonical names from Picasso to Pollock have all been presented at the fair, as have, in equal measure, some of the most cutting edge artists of a younger generation. Organized by The Armory Show, Armory Arts Week has emerged as one of liveliest moments in New York’s already rich cultural calendar, with a number of smaller art fairs temporarily alighting throughout the city and the major museums staging their marquee exhibitions to coincide with the fair.


Founded in 1994 by dealers Colin de Land, Pat Hearn, Matthew Marks, and Paul Morris as the Gramercy International Art Fair, named after its initial location in the legendary Gramercy Park Hotel, The Armory Show acquired its new title in 1999 following the fair’s migration to the 69th Regiment Armory on Lexington Avenue. The name was an homage to the legendary 1913 exhibition of the same name that also took place in this building, which famously showcased works by avant-garde European artists never previously seen on American soil side-by-side with their American counterparts. This original Armory Show is widely credited for bringing Modern art to New York, and its eclectic and unorthodox mix of genres, juxtaposing Vincent van Gogh alongside Marcel Duchamp and Edward Hopper, has been a source of inspiration for ensuing decades and continues to linger today, 100 years later.


While its location at the 69th Regiment Armory was only temporary, the current Armory Show was inspired by the idea of bringing new art from all over the globe together under one roof. The fair moved to the west side piers in 2001, initially on Piers 88 and 90. Like the fair’s previous locations, the piers feature prominently in New York City history, and are also a characteristic part of its visual make-up, with their finger-like structures poking out from Manhattan on popular bird’s eye view maps of the island.


The piers are numbered according to their original position amongst over a hundred similarly sized piers from the south tip of the island to the Upper West Side. Located between 52nd Street and 55th Street on Twelfth Avenue. The Armory’s piers are on the edge of midtown, with it’s characteristic skyline and flashy neon signs hovering just a few blocks away.


The piers are visual reminders of a significant time in New York’s past, when the Hudson River was central to the city’s transportation infrastructure. Wider than the East River, and connected to timber, coal, livestock, and other natural resources from upstate New York, the waterway carried steamboats and ferries to a budding metropolis long before cars became mainstream. Passengers and cargo were off-loaded at the various piers, which further connected the surrounding area by rail—the Highline, now a public park, extended from the riverfront to the Meatpacking District and SoHo.


As the emergent auto industry gradually diminished the reliance on rail and waterways by mid-century, traffic to west Manhattan thinned. Businesses at the piers closed down and many were left to decay. Their desolate, frail structures could be dangerous territory to frequent, but also offered temporary homes to various artist projects, the most illustrious, perhaps, being Gordon Matta-Clark’s iconic Day’s End on Pier 52 from 1974. As with his characteristic building cuts, the artist, to use his own words, took “a decaying sad reminder of a previous industrial era and renovated it.” While the police were quick to put an end to the huge, gaping hole cut in the far wall of the abandoned pier, thus letting in air, light, and reflections cast by the Hudson’s sparkling water, the intervention stood as a visionary effort to revive the west side waterfront, which was ahead of its time by over thirty years.


In the last decade, significant cultural redevelopment of the area has been underway. The Hudson River Park, extending from Battery Park to 59th Street, is the largest park to be created in Manhattan since Central Park (completed in 1873), and provides home to a marina, sports complex, driving range, canoeing club, and many other popular year-round attractions. The remaining piers closest to the Armory still serve as a hub for ocean-bound ships and cruise liners (with the New York Passenger Terminal handling over one million travelers every year), as well as The Intrepid, the Second World War aircraft carrier, which now houses a museum.


Set within the city’s ever-changing urban landscape, The Armory Show on Piers 92 and 94 has become an integral part of the cultural redevelopment of Manhattan’s west side. As both a leading international art fair and a New York institution, it continues to evolve as a site for discovery and for supporting the great galleries and artists of our time.


Merchandise Mart Properties, Inc.

Overview of Merchandise Mart Properties, Inc. Merchandise Mart Properties, Inc. (MMPI), a division of Vornado Realty Trust, is a leading owner and operator of integrated showroom and office buildings, as well as trade show facilities, bringing buyers and sellers together through market events, trade and consumer events and conferences. As both a property manager and trade show producer, MMPI has been North America’s market maker for the industries it serves, bringing together wholesalers, retailers and consumers for more than 65 years.


MOMA – Pipilotti Rist

The Displayers are very proud to have taken part in this project and grateful to Pipilotti Rist and The Museum of Moderm Art (MOMA) for publicly thanking The Displayers upon the exhibitions plaque.  Pipilotti Rist’s video installation projected upon all walls of the MOMA’s second floor large gallery. Conceived for the public to view the installation from the prospective of artist, the floor was covered with carpeting and a 40′ diameter round couch that from above (and the third floor) looked like the iris of an eye. Upon the walls were (3) organic shaped round enclosures 15′ round designed to house and conceal theater scaled projectors and blend into the video. These enclosures were created from foam, custom carved and engineered to address ventilation, access and mounting of the projectors. The Displayers created these enclosures and couch for this exhibition. IMG_1501 a 960